When the fantasy is shattered by the hard rock of reality, the poet may even decide to get off from the world, as did Mayakovsky, at a full run, because he could not stop it.
Paradoxically, a car, the camera is able to reverse the terms of the reflection of the Russian poet and undermine its intransigence angry.
The photograph transforms the hard rock of reality into fantasy and the world stops the instant endless shooting.
These peculiarities have made it essential for the successful knowledge, picture, places you have never been and events that we have witnessed not. This function absolved from reportage photography. But the photograph goes beyond the boundaries of this area utilitarian and also frequents the areas of research and experimentation with a time language statements.
On both fronts engages more than a decade now, Fabio Marino, reporter and amateur photographer that this site presents the results of its investigation.
In these images, the author reveals a virtue of precision craftsmanship and demonstrates that it has reached a maturity of expression capable of transforming the ipercromatismo in a technique to enrich the subject. Whether it is the eternal struggle of man against the sea, is the contemplation of death in the Good Friday procession, are the details of the Sicilian landscape in which light gives shape and color.
Behind his camera there is a look driven by a taste and a mind honed from a troubled cultural and human process that takes due account of the lessons of the great masters of photography, Italians and Europeans.